
My Octopus Teacher
Inspired by the Netflix documentary of the same name. I loved it.
The anatomy of an octopus is fascinating — eight arms, three hearts, and the ability to change color and shape in an instant. I had to paint one.
A sketchbook journal — paintings and notes, mostly from Moleskine sketchbooks.

Inspired by the Netflix documentary of the same name. I loved it.
The anatomy of an octopus is fascinating — eight arms, three hearts, and the ability to change color and shape in an instant. I had to paint one.

The Queen Mary Cathedral sits in downtown Montreal, and just behind it is a hotel that has been renamed over the years — it used to be the Château Champlain, where my mom worked for 18 years.
Montreal is rich in old architecture. Every block has something worth drawing.
Done with Faber-Castell Pitt Artist Pens and a fountain pen in a Rhodia notebook.

Burnaby’s answer to Central Park — and just as beautiful in autumn.
My wife and I would often come here for walks. It’s the kind of place that feels a world away from the city even though it’s right in the middle of it.

Done near the end of the pandemic. By that point it had worn me down — I was burnt out, and I think the drawing reflects it.
Sometimes art doesn’t lie.

Parc Extension is the neighbourhood in Montreal where I grew up — and where my family still lives today.
The house we live in belonged to a man whose daughter went on to produce a TV show called Dogs with Jobs. Every place has a story.

Every morning I’d sit at this same spot with a coffee, and every morning I’d feel frustrated — I never knew what to sketch. So I just drew the same view over and over.
Then one day I noticed something I’d never seen before, even though it had always been there. That’s when I understood what the practice was actually for.

My first attempt at starting a self portrait practice. Looking at it now I can see the mistakes — the contrast is too strong, the colors too cold.
But I learned a lot about the materials. Part of the problem was using professional grade watercolor paper and being too afraid to ruin it. Switching to cheaper paper changed everything — suddenly I could take risks.